B KEY→P17
范畴:人与社会 主题:影视作品 体裁:说明文 难度:★★★★ 建议用时:9分钟 评价:/4
As the world marks the 80th anniversary of the victory of the World Anti-Fascist(反法西斯) War, a moving Chinese film, Dead to Rights(《南京照相馆》), gives us a special look at history. Unlike traditional war movies that focus on battlefields, it tells a story through a small photo studio during the 1937 Nanjing Massacre(大屠杀).
In 1937, a group of ordinary Chinese people hide in Jixiang Photo Studio to take refuge(避难). When they are forced to develop(冲洗) photos for the Japanese army, they accidentally find the photos that recorded the Japanese army's massacre. At first, they fight just to stay alive—but soon, this becomes a mission to guard the truth. They promise to pass on this solid evidence, no matter what happens.
In fact, it's based on real events—apprentice(学徒) Luo Jin of Nanjing East China Photo Studio risked his life to develop and protect the photos showing Japanese fascists' atrocities(暴行), which became the key evidence of the Tokyo trial(审判).
Dead to Rights tries something new and tells us that small people's action can reflect big history. It turns national pain into a shared memory on screen. Its success comes not only from careful technical work. Lifelike scenes, the local dialect(方言) and other small but meaningful details all play a part. More importantly, it makes people feel emotionally connected. When the studio owner Lao Jin shouts that "Every inch of our beautiful land must never be given up" or when modern Nanjing streets are connected with wartime ruins, viewers see not just history coming to life, but a strong, unbroken civilization.
The film does not show big war scenes. Instead, it uses the photo studio to show how ordinary people wake up and fight back in the big waves of history. It makes audiences feel deeply the great sacrifices(牺牲) our ancestors made to protect the truth and dignity. It is a serious review of history and a deep thought on it. It always reminds us to remember the past and love today's peace.
素材来源: Souquee
()1. What makes Dead to Rights different from traditional war movies?
A. It shows big battle scenes happening in 1937.
B. It focuses on famous heroes.
C. It tells a story through a small photo studio.
D. It was made eighty years ago.
()2. 新考法·组合选择 What helps Dead to Rights succeed according to the passage?
① Lifelike scenes. ② The local dialect. ③ Famous actors.
④ Careful technical work. ⑤ The emotional connection.
A. ①②③⑤ B. ①②③④ C. ②③④⑤ D. ①②④⑤
()3. What is the main idea of the passage?
A. The Tokyo trial and its evidence.
B. The story of the Nanjing Massacre in 1937.
C. The introduction to a traditional war movie.
D. The introduction to the film Dead to Rights.
()4. 新考法·篇章结构 What would be the best structure of the passage?

1. C 细节理解题。根据文章第一段最后一句“Unlike traditional war movies ... a small photo studio during the 1937 Nanjing Massacre.”可知，《南京照相馆》和传统战争电影的不同在于，它通过 1937 年南京大屠杀期间的一个小照相馆讲述故事，而非聚焦战场。
2. D 组合选择题。从文章第四段中“Its success comes not only from careful technical work ... it makes people feel emotionally connected.”可知，电影成功源于精心的技术工作、栩栩如生的场景、当地方言以及与人们的情感共鸣，文章中并没提及优秀演员。
3. D 主旨大意题。文章主要介绍了电影《南京照相馆》的故事内容以及它的意义和影响。
4. B 篇章结构题。通读全文可知，第一段总述电影的背景，第二、三、四段分述其内容、情节来源、成功的原因等，第五段总结电影的意义及影响，故文章结构为“总—分—总”。