五、完成句子(每空一词)
1. 感到沮丧时,我经常选择欣赏这份杂志的小说部分,它包含了很多富有想象力的故事。
2. 任何时候,任何人被说成 running their mouth,意思是他们滔滔不绝地说,可能说得太多了。
Any time, anyone
3. 醒来发现只有自己一个人的时候,这个四岁的男孩认为,他的哥哥可能就在他面前的火车上——所以他上了火车。
When he woke up and
4. 并不是所有的客户都是游客。
5. 他们一回来就发现房子被盗了。
1. 感到沮丧时,我经常选择欣赏这份杂志的小说部分,它包含了很多富有想象力的故事。
When
feeling
depressed, I often choose to enjoy the novel part of the magazine which includes a lot of imaginative stories.2. 任何时候,任何人被说成 running their mouth,意思是他们滔滔不绝地说,可能说得太多了。
Any time, anyone
is
said
to
be
running their mouth, which means they're talking profusely and probably talking too much.3. 醒来发现只有自己一个人的时候,这个四岁的男孩认为,他的哥哥可能就在他面前的火车上——所以他上了火车。
When he woke up and
found
himself
alone
, the 4-year-old boy decided his brother might be on the train he saw in front of him—so he got on.4. 并不是所有的客户都是游客。
Not
all
the customers are tourists.5. 他们一回来就发现房子被盗了。
On/Upon
their
return
they discovered that their house had been burgled.答案
1. When feeling
2. is said to be
3. found himself alone
4. Not all
5. On/Upon their return
2. is said to be
3. found himself alone
4. Not all
5. On/Upon their return
六、阅读理解
“On one side, you have the humans,” Laszlo Krasznahorkai, the Hungarian writer and 2025 Nobel Prize winner in Literature, told me in an interview. “On the other side, you have the rocks. Me? I am on the side of the rocks.”
I’d spent the whole night reading his newest novel in a single sitting and had been living in Krasznahorkai’s world, where it is always October, always raining, and where the humans are always busy with things that are bound to fail.
It was maybe a month later that I ran into Krasznahorkai again. I remembered our earlier conversation and was almost too nervous to say hello. But when someone took me to greet him, I found him smiling as he gently took my hands in his and offered me tea.
These distinct(截然不同的) sides—the serious and the friendly, the rough and the caring—can be found throughout Krasznahorkai’s works. The resulting tension is probably a big reason why he won the Nobel Prize.
In his work Satantango, Krasznahorkai built a world at a nearly abandoned farm where life is so hopeless and so depressing that people there all plan to leave. The novel was written without any paragraphs. It’s just big blocks of type.
So perhaps it’s worth taking a moment to call attention to the many pleasures of Krasznahorkai’s works. To begin with, there’s the humor. Krasznahorkai has a sharp eye for the absurd(荒诞的) things in everyday life, and his novels are full of quiet humor. Another kind of humor in his works comes from his characters. His novels are full of all kinds of people—the innocent(纯真的), the liar, the mad, and the foolish—as vivid as any in Dickens’. Krasznahorkai’s writing takes us in and out of these minds quickly and deeply. At one moment we laugh at their strange behavior, and the next we see something of ourselves in them.
Even though Krasznahorkai stands with the “rocks” in his books, his stories always reach out to us.
(
A. He is fond of collecting rocks.
B. He is gentle and kind in real life.
C. His world is full of rain and failure.
D. He only writes about hopeless lives.
(
A. All his books have no paragraph breaks.
B. His stories are full of silly people and funny things.
C. The sharp opposites in his works create unique tension.
D. He wrote many popular novels about abandoned farms.
(
A. The features.
B. The settings.
C. The themes.
D. The plots.
(
A. He prefers describing rocks to human life.
B. His books are too serious to reach readers.
C. His books, serious yet darkly funny, still touch readers.
D. He uses rocks as a symbol to make his books more serious.
“On one side, you have the humans,” Laszlo Krasznahorkai, the Hungarian writer and 2025 Nobel Prize winner in Literature, told me in an interview. “On the other side, you have the rocks. Me? I am on the side of the rocks.”
I’d spent the whole night reading his newest novel in a single sitting and had been living in Krasznahorkai’s world, where it is always October, always raining, and where the humans are always busy with things that are bound to fail.
It was maybe a month later that I ran into Krasznahorkai again. I remembered our earlier conversation and was almost too nervous to say hello. But when someone took me to greet him, I found him smiling as he gently took my hands in his and offered me tea.
These distinct(截然不同的) sides—the serious and the friendly, the rough and the caring—can be found throughout Krasznahorkai’s works. The resulting tension is probably a big reason why he won the Nobel Prize.
In his work Satantango, Krasznahorkai built a world at a nearly abandoned farm where life is so hopeless and so depressing that people there all plan to leave. The novel was written without any paragraphs. It’s just big blocks of type.
So perhaps it’s worth taking a moment to call attention to the many pleasures of Krasznahorkai’s works. To begin with, there’s the humor. Krasznahorkai has a sharp eye for the absurd(荒诞的) things in everyday life, and his novels are full of quiet humor. Another kind of humor in his works comes from his characters. His novels are full of all kinds of people—the innocent(纯真的), the liar, the mad, and the foolish—as vivid as any in Dickens’. Krasznahorkai’s writing takes us in and out of these minds quickly and deeply. At one moment we laugh at their strange behavior, and the next we see something of ourselves in them.
Even though Krasznahorkai stands with the “rocks” in his books, his stories always reach out to us.
(
B
)1. What can we learn about Krasznahorkai?A. He is fond of collecting rocks.
B. He is gentle and kind in real life.
C. His world is full of rain and failure.
D. He only writes about hopeless lives.
(
C
)2. Which is a reason Krasznahorkai won the Nobel Prize according to the passage?A. All his books have no paragraph breaks.
B. His stories are full of silly people and funny things.
C. The sharp opposites in his works create unique tension.
D. He wrote many popular novels about abandoned farms.
(
A
)3. What does the author say about Krasznahorkai's works in paragraph 6?A. The features.
B. The settings.
C. The themes.
D. The plots.
(
C
)4. What does the underlined sentence in last paragraph mean?A. He prefers describing rocks to human life.
B. His books are too serious to reach readers.
C. His books, serious yet darkly funny, still touch readers.
D. He uses rocks as a symbol to make his books more serious.
答案
1~4 BCAC
【语篇解读】本文是一篇记叙文。文章介绍了2025年诺贝尔文学奖得主、匈牙利作家拉斯洛·克劳斯瑙霍尔卡伊,展现了他的真实性格,及其作品的独特风格、人物塑造特点及核心魅力,揭示了作品中对立元素形成的张力是他获奖的重要原因。
1. B 解析:推理判断题。根据第三段中“But when someone took me to greet him, I found him smiling as he gently took my hands in his and offered me tea.”可知,克劳斯瑙霍尔卡伊在现实生活中温柔友善。故选 B。
2. C 解析:细节理解题。根据第四段的内容“这些截然不同的方面——严肃与友善、粗犷与体贴——在克劳斯瑙霍尔卡伊的作品中随处可见。由此产生的张力可能是他获得诺贝尔奖的一个重要原因”可知,作品中鲜明的对立元素形成的独特张力是他获奖的原因之一。故选 C。
3. A 解析:段落大意题。根据第六段中“To begin with, there's the humor ... as vivid as any in Dickens'.(首先是幽默。克劳斯瑙霍尔卡伊对日常生活中的荒诞事物有着敏锐的洞察力,他的小说充满了含蓄的幽默。他作品中的另一种幽默来自他塑造的人物。他的小说里有各种各样的人——纯真的人、骗子、疯子和傻瓜——和狄更斯笔下的人物一样生动。)”可知,该段主要介绍了他作品的两大特点:含蓄的幽默和生动的人物塑造。故选 A。
4. C 解析:词句猜测题。根据第四段的内容可知,克劳斯瑙霍尔卡伊的作品中存在“严肃与友善、粗犷与体贴”的对立元素,既描绘了绝望压抑的场景,又充满荒诞幽默,还能让读者在人物身上看到自己的影子。结合画线句“Even though Krasznahorkai stands with the 'rocks' in his books, his stories always reach out to us.(尽管克劳斯瑙霍尔卡伊在书中站在‘石头’一边,但他的故事总能触动我们。)”可知,“站在石头一边”象征作品中严肃、冷漠的一面,而“故事总能触动我们”则体现其作品虽严肃却带有黑色幽默,仍能引发读者共鸣。故选 C。
【语篇解读】本文是一篇记叙文。文章介绍了2025年诺贝尔文学奖得主、匈牙利作家拉斯洛·克劳斯瑙霍尔卡伊,展现了他的真实性格,及其作品的独特风格、人物塑造特点及核心魅力,揭示了作品中对立元素形成的张力是他获奖的重要原因。
1. B 解析:推理判断题。根据第三段中“But when someone took me to greet him, I found him smiling as he gently took my hands in his and offered me tea.”可知,克劳斯瑙霍尔卡伊在现实生活中温柔友善。故选 B。
2. C 解析:细节理解题。根据第四段的内容“这些截然不同的方面——严肃与友善、粗犷与体贴——在克劳斯瑙霍尔卡伊的作品中随处可见。由此产生的张力可能是他获得诺贝尔奖的一个重要原因”可知,作品中鲜明的对立元素形成的独特张力是他获奖的原因之一。故选 C。
3. A 解析:段落大意题。根据第六段中“To begin with, there's the humor ... as vivid as any in Dickens'.(首先是幽默。克劳斯瑙霍尔卡伊对日常生活中的荒诞事物有着敏锐的洞察力,他的小说充满了含蓄的幽默。他作品中的另一种幽默来自他塑造的人物。他的小说里有各种各样的人——纯真的人、骗子、疯子和傻瓜——和狄更斯笔下的人物一样生动。)”可知,该段主要介绍了他作品的两大特点:含蓄的幽默和生动的人物塑造。故选 A。
4. C 解析:词句猜测题。根据第四段的内容可知,克劳斯瑙霍尔卡伊的作品中存在“严肃与友善、粗犷与体贴”的对立元素,既描绘了绝望压抑的场景,又充满荒诞幽默,还能让读者在人物身上看到自己的影子。结合画线句“Even though Krasznahorkai stands with the 'rocks' in his books, his stories always reach out to us.(尽管克劳斯瑙霍尔卡伊在书中站在‘石头’一边,但他的故事总能触动我们。)”可知,“站在石头一边”象征作品中严肃、冷漠的一面,而“故事总能触动我们”则体现其作品虽严肃却带有黑色幽默,仍能引发读者共鸣。故选 C。
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